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LEÆTHER STRIP Live in Belgrade – EBM Icon on Stage + dreDDup

Zappa Barka | Beograd | 20.02.2026. 20:00

LEÆTHER STRIP finally comes to Serbia! The Danish electro and industrial pioneer will perform on February 20, 2026, at Zappa Barka in Belgrade. His live shows are famous for raw power, emotion, and deep connection with the crowd. Expect dark EBM rhythms, sharp industrial sounds, and a performance filled with pure intensity. Claus Larsen, the man behind LEÆTHER STRIP, transforms each concert into a mix of rhythm, emotion, and rebellion.

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Premiere of the Danish EBM legend

LEÆTHER STRIP finally comes to Serbia! The Danish electro and industrial pioneer will perform on February 20, 2026, at Zappa Barka in Belgrade. His live shows are famous for raw power, emotion, and deep connection with the crowd. Expect dark EBM rhythms, sharp industrial sounds, and a performance filled with pure intensity. Claus Larsen, the man behind LEÆTHER STRIP, transforms each concert into a mix of rhythm, emotion, and rebellion.


Part of the Hangtime regional tour

The Belgrade concert marks the start of a special regional mini-tour by Hangtime. The next night, on February 21, 2026, LEÆTHER STRIP will perform at Močvara in Zagreb. Fans in both cities will experience two unique nights of energy, distortion, and underground spirit. These concerts link two capitals through a shared passion for dark EBM sound and uncompromising stage presence.


Two new albums and a world tour

In 2025, LEÆTHER STRIP released two new albums that pushed industrial and dark electro boundaries. Each track blends emotion, machine precision, and social reflection. The Belgrade and Zagreb shows are part of his world tour, which spans Europe, North America, and Asia. Claus Larsen uses this tour to present new material and revisit timeless classics that shaped his legacy. His sound remains raw and emotional, yet always modern and forward-looking.


A cult name that shaped EBM

Since the late 1980s, LEÆTHER STRIP has been one of the key architects of EBM (Electronic Body Music). His mix of powerful beats, dark melodies, and personal storytelling influenced countless artists. Tracks like “Japanese Bodies” and “Strap Me Down” became milestones in the genre’s history. Every LEÆTHER STRIP concert is an intense ritual that blends light, noise, and emotion. For many fans, it’s not just music – it’s a statement of freedom and strength.


Tickets and sales info

Early bird tickets are available for 2,200 RSD via the Hangtime website. The presale price is 2,600 RSD, while day-of-show tickets, if available, cost 3,000 RSD. Physical tickets will soon be on sale at Felix Shop (TC Sremska, Belgrade). Capacity is limited, so it’s best to secure your spot early.


Info block

📅 Thursday, February 20, 2026
📍 Zappa Barka, Belgrade
🎫 Tickets: 2,200 / 2,600 / 3,000 RSD
🎟️ Sales: Hangtime website & Felix Shop (TC Sremska)
👥 Organizer: Hangtime


Conclusion – LEÆTHER STRIP in Belgrade

LEÆTHER STRIP at Zappa Barka promises an unforgettable night of dark energy, rhythm, and emotion. It’s the long-awaited Serbian premiere of an artist who changed the course of EBM history. Join us on February 20, 2026, and one night later in Zagreb’s Močvara. Two capitals, two nights, one legend – pure industrial power delivered by LEÆTHER STRIP.


Leæther Strip – pioneer of the electronic industrial scene

Beginnings and early breakthrough

Leæther Strip is the solo project of Danish musician Claus Larsen, launched in 1988 after years of involvement in smaller bands. In 1989, he signed with the German label Zoth Ommog, which quickly placed him at the forefront of the European electro-industrial movement. His debut single, “Japanese Bodies”, became an underground hit and marked the arrival of a new and uncompromising voice in the genre.

Rise in the 1990s

During the 1990s, Leæther Strip became one of the most influential acts in the EBM and industrial scene. Albums such as Pleasure of Penetration and Solitary Confinement established his reputation for powerful beats and dark atmospheres, while Serenade for the Dead demonstrated his ability to create hauntingly melodic soundscapes. By the end of the decade, Larsen had already built an extensive discography that combined aggression, melancholy, and electronic precision.

Lyrical themes and influence

The lyrics of Leæther Strip are often brutally honest. Political tracks such as the anti-Nazi anthem “AEighty AEight” and “Suicide Bombers” openly confront violence and extremism. At the same time, Larsen frequently explores personal struggles, depression, and vulnerability, making his songs a rare balance of aggression and introspection. This duality has inspired generations of musicians. His impact can be traced in the works of younger acts across the industrial, dark electro, and gothic scenes.

Productivity and collaborations

One of Larsen’s trademarks is his relentless productivity. To date, he has released more than 30 albums and countless EPs, often producing new material almost every year. In addition to Leæther Strip, he has worked on side projects such as Klutæ, which focuses on a more raw industrial-punk style. He has also collaborated with artists like Front Line Assembly and Hocico, further cementing his reputation as a key figure in the global industrial community.

Live performances

On stage, Leæther Strip is known for intense energy and uncompromising delivery. Fans worldwide recognize his concerts as powerful experiences where classic tracks like “Strap Me Down” and “Don’t Tame Your Soul” blend seamlessly with new material. His commanding presence has ensured a loyal international following and confirmed his place as one of the genre’s pioneers.


dreDDup – Serbian Industrial Rock Band from Novi Sad

Pioneers of Industrial Rock and Electronic Sound in Serbia

dreDDup is a Serbian industrial rock band from Novi Sad, formed in 1997. They are widely recognized as pioneers of the industrial genre in Serbia and the wider region. From the very beginning, the band has focused on developing a unique musical identity, refusing to conform to traditional genre boundaries.

Their music represents a powerful fusion of sound, visual art, and live performance.

Masakr-Industrial and Demonic Electronics

dreDDup describe their musical style as “masakr-industrial” or “demonic electronics.” Their sound blends rock, industrial, big beat, punk, and aggressive electronic music, creating a dark, intense, and uncompromising sonic identity.

This music is closely connected to a strong and often disturbing visual aesthetic that has become one of the band’s trademarks.

Discography and Multimedia Projects

To date, dreDDup have released ten studio albums, along with numerous mini and maxi releases. Their music has appeared on dozens of international compilations, securing them a notable presence on the global industrial music scene.

In addition to their band work, dreDDup have composed music for theatre productions, documentary films, and experimental art installations, further emphasizing their multimedia approach.

European Tours and Major Live Performances

dreDDup have completed numerous European tours and performed on major stages across the continent. They have opened concerts for internationally renowned artists and bands such as The Prodigy, Marilyn Manson, Skrillex, Soulfly, Laibach, DAF, Deathstars, Toy Dolls, and Dear Deer.

These performances have significantly strengthened their reputation within the international alternative and industrial music scenes.

Energetic and Theatrical Live Shows

Live performances by dreDDup are known for being highly energetic, intense, and theatrical. Their concerts often go beyond the standard live format, becoming full-scale multimedia performances supported by high-quality audio-visual production.

Audiences frequently describe dreDDup shows as immersive experiences that leave a lasting impression.

Currently Working on New Music

dreDDup remain active and are currently working on new music. After more than two decades of continuous activity, the band stays true to its dark, uncompromising artistic vision, proving that industrial rock is not just a genre, but an attitude.


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